Byzantine Icons

LA BELLEZA INMARCESIBLE. EL ARTE DEL ICONO (Museo de la Universidad de Murcia, 2014))

Late Antique and Byzantine Studies / Byzantine Studies / Byzantine Liturgy / Byzantine Iconography / Icons / Byzantine art / Bizancio / Byzantine Icons / Byzantine and post-byzantine icons and frescoes / Icons and Rituals: Sacred Biography, Pilgrimage and Sacred Spaces / Russian icons / Byzantine art / Bizancio / Byzantine Icons / Byzantine and post-byzantine icons and frescoes / Icons and Rituals: Sacred Biography, Pilgrimage and Sacred Spaces / Russian icons

CURSO IMAGEN Y CULTO EN EL CRISTIANISMO ANTIGUO (Museo de la Universidad de Murcia, 2014))

Late Antique and Byzantine Studies / Early Christianity / Byzantine Liturgy / Byzantine Iconography / Early Christian Art / Icons / Byzantine art / Byzantine Icons / Postbyzantine Murals and Portable icons / Early Christian Art and Iconography / Byzantine and post-byzantine icons and frescoes / Icons and Rituals: Sacred Biography, Pilgrimage and Sacred Spaces / Russian icons / Orthodox Iconography, Icons, Byzantine Art / Icons / Byzantine art / Byzantine Icons / Postbyzantine Murals and Portable icons / Early Christian Art and Iconography / Byzantine and post-byzantine icons and frescoes / Icons and Rituals: Sacred Biography, Pilgrimage and Sacred Spaces / Russian icons / Orthodox Iconography, Icons, Byzantine Art

“Paliachora (Egina), el Sinaí y Catalunya a finales del siglo XIV: hibridación artística, política y peregrinación en el Mediterráneo Oriental”, in Imagens e Liturgia na Idade Média, 5, C. Varela Fernandes (ed.), Secretariado Nacional dos Bens Culturais da Igreja 5, Lisboa, 2016, pp. 9-56.

Patronage (Medieval Studies) / Crusader Art and Architecture / Byzantine art / St Catherine's Monastery / Medieval pilgrimage / History of Aigina / Byzantine Icons / Medieval panel painting / Saint George / Catalan Medieval Art / Hybridization of Artistic Practices / Byzantine painting of the Paleologue period / Athens and Attica / Mediaeval Cult of Relics and Saints / Greece under Latin rule / Hybridity and Cultural Identity / Christian Sinai / Catalan Grand Company / ALMOGAVARES / History of Aigina / Byzantine Icons / Medieval panel painting / Saint George / Catalan Medieval Art / Hybridization of Artistic Practices / Byzantine painting of the Paleologue period / Athens and Attica / Mediaeval Cult of Relics and Saints / Greece under Latin rule / Hybridity and Cultural Identity / Christian Sinai / Catalan Grand Company / ALMOGAVARES
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